norse deity of the discotheque, prins thomas, and knight of the giegling realm, edward, are the first in line to remix sepalcures sophomore album folding time. prins charming applies his renowned diskomiks touch to lead single fight for us, rubbing the sun-kissed r&b of the original into an extended dance-floor affair, all strut, slap and tickle. edward, on the other hand, takes loosen up and screams rave! over ten minutes of blockrocking beats that evolve into a gilded climax of laser beams and melodic euphoria.

london in transmission - founded by two geezers in their bedroom, both regulars on the london underground scene. fresh off his release from nil, christian ab dips into the mind and spirit of his machines to summon cab92. crafting a 4 tracker tinged with cosmic sounds and frenetic energy, cab92 delivers it raw. serious deep vibes here, this one is lit.

returning to houndstooth a year since the release of his one sound/layer lock ep is second storey. after spending most of 2015 focussing on his collaboration with laurence osbourne second storey & appleblim present also over at r&s records, alec storey came back into the fold as part of the houndstooth 3rd anniversary compilation earlier this year. now he returns to the label in full with a gleaming new ep, bismuth.

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. the band from naples is now back with a new album, mixed by the dub master adrian sherwood, who had already been involved in their mid-nineties masterpiece �sanacore�. this new work consists of ten tracks, nine originals plus a well chosen cover of an old neapolitan hit by nino d�angelo transformed into a lovers rock style song. almamegretta�s original line up of gennaro t tesone, paolo polcari and raiz is augmented by a great list of collaborators and the result is a strong and multi layered set made of afro-funk numbers, reggae ballads, and other riddims, while the british dub influence remains central within the group�s wide sound palette. the title �ennenne�, which means no name, is inspired by the acronym used for those who are born from unknown parents. the right title for such a highly dense picture based on the combination of contemporary sounds and social topics.
file next to: massive attack, on-u sound, dub syndicate, tricky

eddie ness and liem join forces once more to bring you lhlt007. the hardcore will never dry ep has the two producers embarking on a journey into deep machine funk and swelling subterranean soundscapes, mass tailored for sweaty clubs. all produced in their shared hardware-heaven of a studio the tracks are full of intriguing rough edges and charming imperfections, equipping the tracks with a deep textured and evolving character

we live a life in between exorcism and consumption stirring up a piece of sh-which might be the forgotten, the unexpected, the unusual, the left behind. dust as a metaphor for our repetitive culture, can t be better chosen to head the redust ep on formresonance. grainy and with a sixth sense of its pulse, the tracks do emerge into a wide soundstream. dust hereby transports a piece of wisdom: the sound signature. knowledge which is inherent in class-a circuits, vinyl, or tape and which can be barely re-produced. georg stuby is already a dj on stage, like burning man, club der visionäre� he resident in the zürich party scene, teaches at the school of sound and drops out some nice tips on his own blog: www.georgstuby.com the redust ep is his debut release. jonas & christopher lawrenz provide their experience with georgs music, even longer.
pressing on blue marbled vinyl.

much needed repress of a recent classic.
the second volume in this series of no info and no nonsense 12 inches. channelling the queen of neo-soul and hardest working man in show business through a dub-heavy detroit beatdown filter into wild deep house. for fans of the revenge, mark e and motor city drum ensemble these raw, soul drenched house grooves will appeal to the djs who like to work a floor into a frenzy.

four new loose and beautiful metropolitan house grooves from prolific nyc producer j albert aka jio albert whose mantra (as always) is to keep it simple, and of course, keep it strictly j! in addition to the grime beats he�s been releasing on soundcloud under the dj osom alias, jio has also explored other genres with a recent black opal release and a 12inch on his own exotic dance records imprint. strictly j, though is his scruffy take classic house on zones more into the hot music-soho vibes. characterized by busy percussion, off-kilter downtown beats, stops and starts, scattered breaks, and weirdly breezy melodies, these tracks are roomy def down for the summer. interestingly enough, i was subletting jios room last summer in ridgewood, queens and was sitting next to him as he made some of these tracks while i worked my tech support job. he was listening to a lot of buddy rich, bill evans, and jeremy steig at the time.

distant hawaii kicks into gear for the second half of 2016 with our first transatlantic artist joining in the shape of immense production and dj talent, garrett david.
already a prominent figure in the windy city scene via his residency at smart bar and working as a&r and in-house buyer at gramaphone records, garrett�s talents extend even further, right back to the lab, to the deep studio from whence all music grows.
his chicago-tinged-with-detroit blend of clean, yet warm and occasionally raw bumpin� house tracks showcase a kaleidoscope of grooves backed by heavy-seated drum programming and glacial, almost-interspatial padwork.

filou brings the 9th vinyl of the romanian label escapism musique. with two original tracks, revolt and golden black, filou ascends proportions of the tech sounds in complex tracks that gets the listener into motion. cristian burkhardt transcends the tones of revolt into a symmetrical harmony that vibes up with the sheer, meanwhile ed ed enthuses through his play with cheer and rhythm, ending the release in a dancing mood.

peter michael hamel emerged from the 70s krautrock scene dreaming of �the blue flower growing between the milestones on the road to a future world-music�. a truly visionary artist who worked and studied with john cage, morton feldman and terry riley, his 1980 colours of time lp - an epic, sprawling, 22-minute saga - was hailed by the guardian�s rob fitzpatrick as �an absolute masterpiece of skull-bursting, synth-led ambient minimalism�. thirty six years on, astral industries reinterpret hamel s original vision with remixes from two contemporary heavyweights - wolfgang voigt and rod modell (aka deepchord). each expansive interpretation invites you to step outside of reality and into an alternative imagination of hamel s future world, spiralling into the colours and slowly out of time itself. original artwork by theo ellsworth and a massive thanks to peter michael hamel & eckart rahn.

nice price deal !!! for their summer of seven tracks iso68 have, as usual, recorded many live instruments. we hear drums, guitar, keys, and brass, mixed into two tight tracks which unfold their addiction not at first glance. but after several plays the two pieces by florian zimmer (who also plays with the bands saroos and jersey) and thomas leboeg (member of hamburg?s popband kante) become essential beauties

the second of two zentrum spinoffs is with us! as with the first, it comes loaded with four remixes. octo octa, vito & druzzi, cooper saver and turbotito, and lemonade all handed in top-notch reimaginings of tracks off jacques renault s debut lp, which came out just under a year ago, and they all somehow manage to be unique unto themselves while also sublimely bleeding into one another. octo octas rendering of mi casa samba serves as a propulsive beginning thats as dark and druggy as it is sharp and focused. vito & druzzis take on faith runs in a similar vein, but in a more stripped-back, drawn-out, and patient sort of way, it is nearly ten minutes long, so this is perhaps not a surprise. the b s remixes are brighter, sunnier, though that s not to say they re not bold. cooper saver and turbotito s redo of words has a certain funky swing to it that, paired with spacey synths and balearic bells and whistles, makes it ideal daytime disco fodder. the lemonade boys close the ep with their vibey take on faith. pads for days, a plump bass, and a focus on the original s sax make you wonder if the song itself somehow got stoned from a couple extra giant bong rips. a fitting way to end both the 12inch and the summer.

played by monsieur cedric (serie limitee), jkriv (razor-n-tape)...
given that cocktail d amore s first entry into the re-edit arena, cockring d amore, landed almost a year ago, this follow-up is long overdue. whereas that ep featured a trio of reworks from the extended family, both tracks on this solid 7- (snigger) come from berlin-based dj/producer trent. he begins with the cheery european disco of -the acrobat-, where prominent horn lines rise and fall over slick funk guitars and shimmering strings. flip for the cosmic disco-meets-cosmic rock masculinity of -the fool-, a killer fusion of elastic slap bass, eyes closed guitar solos and occasional blasts of glam rock vocals. whip off your t-shirt and get to it (dancing, that is).

�in vitro� by luciano lamanna is the second release by multiple. a direct, explicit and harmful record marked by silences, pauses and granitic beats. created entirely with the use of a modern eurorack modular synthesizer, the album consists of 6 long avant-garde electronic tracks. a melancholic and introspective dive into the oblivion, a vision of the future through the eyes of the past. limited edition 180 gram black double vinyl, featuring contributions by eugenio carìa (saffronkeira), luca t. maii (zu) and manuel mazzenga (der noir). artwork by matteo nasini.

a chugging various artists ep from banlieue records. five tracks of red hot, rapid fire club tracks, channeling spikey, clattering machine beats and ethereally deep synth work. club damage personified.

rose records are celebrating their first lustrum as a record label this summer. what started out as a boutique outlet for the productions of a bunch of close friends morphed into one of the industry s most revered and sought-after imprints and has kickstarted the careers of martin hayes, luvless and m.ono, who manifested themselves as headline attractions at clubs and festivals the world over. a birthday calls for a party. a house party, in a no-frills basement with a fat rig, for which rose records provides the soundtrack.

better known as kemback, geoff wright is a bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in house and techno but often treads into the weird and wonderful worlds of jazz, soul, folk, and blues. while his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny scottish village from which he takes his name. his debut release in 2014, on bristol mainstay futureboogie, received widespread support from djs as diverse as skream, mosca, and nemone. more recently his effort as part of alfresco disco s acclaimed maximum joy series, titled awaken , has been likened to the music of artists including floating points and leon vynehall. good night & for you today, the two tracks on kemback s omena debut, showcase a high level of production skill. to complete the package the always excellent auntie flo (aka brian d souza) & omena label boss tooli take turns in remixing good night.

out as a vinyl-only offering on 15th july 2016, gti005 is the first official release from forever, a talent who pulls influence from nostalgic jungle and rave genres, as well as elements from classic house and grime. a1 coarse is a blissful, liquid-like journey that plays on forever s broad range of influences, think haunting melodies mixed with a jungle-like drum foundation for a masterpiece that aligns itself to not one genre. track two invaders is a murkier, spaced-out number with a squelching bass, one for the after-hour sessions. an industrial vibe echoes across invaders five minutes, and the track holds transcendental, meditative quality aligned to forever s 2013 track playfights. turning over to side b, grade 10 invite house icon mr. g to step up for a coarse remix that adds his signature flair to the original, turning coarse into a raw, acid-tinged track

2018 repress , more killer stuff from gay marvine: a lost michael cut, obscure depeche mode, his own original music for his take on see line woman, and first choices 1974 the player turned into a house jam but still using the 70s drums.

gay marvine presents bath house etiquette vol.3, 2016 repress

our second release from deeptrax, features jupiter jax from malta. a deep 4 story ep containing real detroit vibes, pushing carl craig, dan curtin and kenny larkin sounds, beamed into today s world. starting melancholic with lush sounds and firm beats, then slowly building into piano heaven. the other tracks are deep ethereal technoid trax with lush, conscious sounds and stomping beats, which is pushing the label into deeper, broader territories. very limited edition, greatly analogue mastered by thee j johanz of irdial fame

special remarks : 12 inch with printed out deluxe sleeve, included 4/0 cmyk innersleeve limited edition 500.
- catapulted into the public consciousness by beth ditto, kiddy smile seeks to spread the retro love in his beats - all of which he produces, sings and sometimes even raps over himself. deeply influenced by the sleazy, lazy feel of 80s and 90s house music and the fabulous legacy of the ballroom scene, he has performed live alongside the likes of hercules & love affair and the gossip. through his own music and performances, kiddy has kept the nostalgic sounds of the dancefloor very much alivebio : via his extravagant persona and good music, the parisian producer kiddy smile gets great coverage in the music world, but also fashion (he s the sound designer for balmain, and spins for the like of alexander wang, balenciaga shows etc.) and queer community.it s impossible to dissociate his music with what he represents today in the gay and voguing community and many filmed / photographed features celebrating diversity have highlighted kiddy smile in them.

this is volume two of a two volume set from edit master gay marvine justly called dance floor favorites. these are some of his most sought after unreleased edits that are known for their strong reaction on the dance floor. they cause an instant heat. his perversity shines through the extreme tempo shift of �jungle fever� lifting it up into pure ecstatic dance floor action, with all the eroticism of �french kiss� and all the spanish funk groove of barrabas. we could to listen to the hypnotic �goodnight� for hours on end, finally seeing light on vinyl. gay marvine�s �what�s happening bro� is not an edit per se, it�s what happens when you cross that line and it becomes house. this is perhaps his greatest tribute to moodymann and his sets at better days,hotbox and la dolce vita. the ep ends with the ever dirty �bump man� and gay marvine�s unique feverish take the needy anthem. gay marvine might just be the frankie knuckles of edits, because his music will keep you warm in the cold, a true musical heater.

young producer from amiens, duns scott first fell in love with rock and post rock. it�s after coming across the music of boards of canada, aphex twin and other warp artists, that he starts delving into the many subgenres of electronic music. eventually, he becomes a proper record digger of jazz, funk and disco, which will deeply affect his music writing. neidio is the outcome of a mixture of influences, each tune with its own idio yncratic sound and story. timelanding was drafted as if a real studio session with actual musicians was happening, the jazz vocal samples try to instate the synergy of musicians interacting with each other. neij is the imaginary soundtrack of a dream inspired by the art cover of the ep. mixed by duns scott / masterized by sven weisemann.

just this is a milan based label collective. just this is the expression of a social, metropolitan and underground movement we are living and going through all together. our mission is to give room and importance to art and music which are still evolving day by day. expressing his own unique unclassified genre, it grabs you into an unspringy flow bringing the listener to a vintage ambient atmospheres

nice price deal !!! superb funky tribal techno that can easily cross into the tech-house/house boxes of the more discerning djs in that style, a quality debut release on a label to watch.

mondo disko club has been, for over the past 16 years, the flagship for discerning electronic music lovers and dancers in madrid. with a loyal and enthusiastic crowd and a booking policy that combines a selection of solid resident djs alongside a list of high quality international artists, creating a record label seemed to be the most reasonable step to follow. mondo discos is born as an extension of the club, with the sole intention of bringing to light musical projects that excite us, projects with which we feel particularly identified. for our first reference, which we found particularly important as it will set the tone, we have a very special and mysterious proposal called mentho. this is the brand-new side project of a well known house duo that wishes to remain anonymous for now, and wanted to dig deeper into their more experimental side teos sock consists basicaly on a mix of electronic, experimental music, halfway between mental electronic vibes and instropected techno. polirithmic and intrincate patterns with an afro sounding background, deep and moody synth work and an overall endless melodic vibe.

jerome hill returns to super rhythm trax with four tracks displaying one of his biggest influences that of mid nineties chicago labels like relief and dance mania. its time for the has been slaying crowds for the last year with its own no nonsense take on cajmeres much sampled perculator track. a hefty dose of fun and playability is injected into this ep and all 4 tracks are designed for maximum body jacking and involuntary head nodding, each bringing something a little different to the table. support coming already from : annie mac/radio 1, justin robertson, john heckle, ben sims, mark archer, perc, groove armada, jd twitch, locodice, dj tlr, craig richards, wncl, james ruskin, pangaea, phil kieren, lukes anger, posthuman, bleaching agent

dieses nun wiederveröffentlichte live-album von o.v. wright wurde 1979 aufgenommen und erschien erstmals 1989 bei dem legendären label hi records, jedoch nur im cd-format. nun ist das werk erstmal als vinyl-version erhältlich. mit dem hit -eight men and four women- landete o.v. wright in den top 10 der amerikanischen billboard-charts. die aufnahme entstand im hotel nakano sun plaza hall in tokio.
die vinyl-lp erscheint inklusive downloadcode.

cafe bohemian is the debut ep from sydney-based producer, t.hanks - one of the minds behind label post pluto. this glorious four track ep features lush string sections and warm 707 sequences in a percussive, deep house groove.
cafe bohemian, the eps title track, takes you on a journey through warm rhodes keys, soaring string melodies and dubbed out vocals. its golf club mix follows, bringing you into the club, with 707 jams paving the way for a dancefloor stormer.

summer is in the air, celebrating in vivid colour and creating everything a new. it therefore seems the perfect time for black hot records to emerge into the light with a pair of cracking disco re-works. the man behind the mixing desk is however no novice, having served up his first instalment of dance floor dynamite way back in 1991, and there followed a decade of underground signals under various guises, before a self-imposed exile and prolonged radio silence ensued�

following the success amongst the appreciators of all things deep, dark, and dubby, and the inclusion into 30 releases of 2014, supported by rhadoo, petre inspirescu and raresh, anton kubikov returns to elusive with even more spacey sound!

maeve 09 is a special record. it welcomes the return of one of the founding members of the label, baikal. although the dutchman has had somewhat of a hiatus from releasing music, his hard work and struggle with the process of creating forward thinking electronic music has always continued. �pelican�s flight� reaps the rewards of this carefully nurtured process and proves most definitely it was worth the wait. the title track �pelican�s flight� is a mesmerizing ten-minute techno trip. a throbbing kick drum is decorated with sparkling synth lines all moving on their own orbit creating a trance like effect on the dance floor. the pinnacle of the trip hears rasping chords blast through the swell in a glorious moment of elation, in short this is a bomb. the b-side �all forces occur in pairs� goes deeper again, drawing the listener into a similar hypnotic state. various sonic ideas breathe in and out of the foreground creating a swirl of expectancy and excitement. this track will cause you to close your eyes and be carried away to another dimension� maeve are honored to add this record to their repertoire.

here we see italian brother duo elia and niro perrone, release their debut long player in the shape of �pescaiola� the name of the suburbs the pair grew up and paying homage to their musical roots growing up together. across the duration of the �pescaiola� lp easy to remember serve up a amalgamation of raw and intriguing electronic, house and techno cuts. opener �hanckora� lays down a lo-fi infused hip hop style to kick things off, while �checkma dem� lies in similar territory with the addition of some vocal stylings as well. for the most part though easy to remember lay the focus on emotive house music, title track �pescaiola� plays on multi-layered melodies and retro synths, �hijack percussion� focuses on gritty rhythm and soft atmospherics and �try to escape� brings to light ethereal synth leads and snaking bass grooves. the duo instil some funk influence into the lp as well via �feelings� and some experimental touches as well with their giulio etiope collaboration �degolas� amongst others. all in all easy to remember deliver a refreshing take on modern electronica across the project and further prove unclear is a force to be reckoned with in the underground.

2015 was probably the busiest of my career, during the course of the year i lived many hours of flights and delays at airports, stayed at hotels with wonderful views immersed in nature and others, on the contrary, very urban. i must admit that many of these scenarios were the kick start of the creative process of oscillators ep. this is an ep conceived strictly for the dancefloor, and its creation was a perfect combination between air and land, as all the tracks began on a plane and were developed on land. a very important part of the creative process when youre working on a track is the mood youre in, and there is always an extra excitement before, during and after each show, the space where you work. i take advantage of that moments and translate those feelings into music. - flug

osmium is a fascinating ride: wild, rampaging heaviness of the most soulful kind. a glimpse into what was to come from one of the most enduring and colourful groups of the last 5 decades. often a very difficult lp to track down it has always been sought after and extremely expensive to buy. appealing to fans of black music, rock and psychedelia equally its contents have shocked, entertained and grooved open minded music lovers since its release over 40 years ago. this is the first time the record has been reissued in over a decade, complete with original artwork. remastered, reissued

diggin disco deep s massive rsd 2016 release has been split into 3 separate vinyl releases.
part 2 features tracks from debair, stereo 12 inch, m.ono & four walls pressed on limited edition orange vinyl.

its been a couple of years since classic released an original artist album, the last one being luke solomons critically praised timelines. this time round classic brings a relative newcomer into the fold. eli escobar has slowly been building a credible reputation out of his home in new york, releasing his first single back in the late nineties and moving more recently from hip hop into dance music. as a dj, he harks back to a golden era of disco and early house music, graduating through the 90s during which he was brought up on a diet of underground house including classics early output. in recent years classics head was turned by his wonderful album up all night that was released on night people, a label from new york that eli (pronounced el-ee) has a vested interest in. following up the album with a series of singles, the label swiftly became a cult dance classi

the table has been set and guests have arrived: it�s time for fresh meat�s when bad people cook good food vol. 4. this limited edition vinyl sampler features three tracks from the full length digital album. the record leads with derrick carter, dubbing out alexander east�s �jest 4 me� into a signature boompty romp. on a2, audio soul project takes a swing at remixing chris udoh�s �ready for you-, shuffling and strengthening the groove that supports the invigorated vocal. the entire b-side belongs to david duriez who marries acid motifs to the tidy, bustling frame of san france disco�s �bringing back sweat to the dancefloor� for even sweatier times. this three track ep is mastered by lawrie at curve pusher, london - who�s been busy lately putting his magic touch on music for artists like damian lazarus, jamie jones, and wolf + lamb. each copy of the vinyl sampler for when bad people cook good food vol. 4 comes with a download code for the full 16 track digital album. this latest fresh meat is a veritable feast of sleek and buoyant house music that can enjoyed over several sittings or in one cohesive (and delightfully gluttonous) meal.

ben gomori s monologues records brings two of its most popular releases to vinyl after a long wait. laurence guy s les mur ep signalled the start of a great run for the london producer, with releases following on church, dirt crew recordings and fort romeau s cin cin. the title track is a graceful, deep piano roller, while sunlite goes into chuggier, synthier territory.

dj oil is an old friend, musical activist from the wrongly dreaded city of marseille. some of you may remember troublemakers and lionel records for bbe.rain features saul williams in a troubled stomp. voodoo house if you want to call it something.its turned into a electro monster by radioactive man.cold europe under the sun or a frozen southern island. who knows? we got lost on the way.space opera and hypnosis push the boundary of psychedelia.slow burners but potent mushrooms.warped politics

next up on will & ink is a second release from yeleesa hall & malin, hot on the heels of their last collaborative effort, lucas, at the end of 2015. once again the mysterious hall and amsterdam/paris based oscillate music boss cook up some hard hitting house that is sonically inventive. opener first carol has hulking kicks and hits and a writhing, monstrous sounding synth line that brings real rawness and energy to the four-four beats all around it. some spooky little beat-less passage of eerie industrial sounds appear before second carol again slips into a well swung and purposeful groove. this one is rubbery and rolling, with dubbed out chords riding up and down and airy hats adding a sense of scale. another ep of contemporary club music of the highest order.

blacksilk finally unveils the first issue, shedding light on its founder s darkest moniker. taking shape as a multi-disciplinary project, the record label founded by the dj and producer marc ash aims to bring out the best of yet hidden experimental and obscure electronic acts. this challenge is achieved by pushing the boundaries between art and music, conveying a strong message with a well defined aesthetic imprint and therefore employing unconventional art pieces into release-specific imageries.

limited edition of 300 copies, housed in a screen printed sleeve. includes a download code.
the flawed wonders that yair elazar glotman puts forth on his latest opus i know no weekend are the coldest dreams you would ever wish to immerse yourself in. they recall echoes of echoes, forced into slowly struggling shapes, ghosts of memories, whispers of life from another dimension. shamanic-repetitive beats shift slowly beneath echoing bells and fragments of past transmissions. overwhelmingly, one is taken into upon a winding mental path, with no clear resolution in sight, although the journey is ever-evolving and new.

2016 repress ...the 2nd release on the new aniara label! this is one of the deepest, most intense tracks we have heard in a while! >sinai hypnosis< is a lush and relaxed tracks that slowly builds and builds and just dont push things as so many of the modern house records ... this is a fresh evening breeze slowly turning into a invisible silent tornado sucking you up and dropping you on cloud 9! this is probably the closest we have heard anything come to global communications without copying their sound. the title track comes as extended and dub version. flip side brings >mima<, another kind of ballad with a dubstep/two step beat and a soothing voice, leading you gently into new territories. (remember aniara 001 sold out in 1 week.. and so far never got repressed despite the demand! dont sleep!)

after years of mainly working on coproductions, andre crom started to dive deep into solo studio work in november 2015, and since then has been pretty much obsessed with nothing else.

jonas saalbach & samuel fach present their -vital signs- as the third vinyl release by auditive. this track literally drags you into a beautiful outstanding soundscape. driving on one hand and deep on the other hand, -vital signs- definitely invites to swing a leg. a so called -banger- comes from the british producer and dj third son, with a top-notch hypnotic and straight remix. to round up this wonderful ep, mira & chris schwarzwalder enchant you with their very individual interpretation of the original and put some extra magic on top.

vinyl 7- edition of 150 housed in uv printed sleeve. the album is the result of a double consideration travelling on a parallel path. on one hand the sensation evoked by dissonant organic sounds merged into patterns and chaotic structures,on the other hand its connection with the exploration of the concept of propaganda, with its adaptive and unstable nature, its relationship with the concept of privacy and its application in everyday life in the digital era. the two tracks, non sono un criminale and non ho niente da nascondere, are composed by a loop structure in order to emphasise the sensation of anxiety and confusion, the melodic changes are introduced by the use of pronounced reverberations, especially in non sono un criminale